It was the 80's, so what can I say? Baldy before, one of the important locations in The Truth About Drew. A few scenes take place on a bench up there. This is the bench I pictured when writing.
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The Japanese have customarily treated their animations with a very different approach than Westerners, often infusing them with strictly adult themes and complicated —disturbing even-- ideas. Perfect Blue is an excellent exponent of the genre; a film that indicates the boldness of anime films and their willingness to step into bleak, and uncharted for standard animation, territories. During his career, late director Satoshi Kon had been cleverly playing with diverse cinematic genres, such as the dreamlike science fiction in Paprika and the Almodovar-esque dramedy in Tokyo Godfathers. In Perfect Blue he takes a spin on the Lynchian psychological thriller, with a daunting story of a famous pop-singer whose decision to give up her career to become an actress signals her progressive descent to madness. Visually engaging and brilliantly performed, the film effectively elaborates on concepts of identity, resonantly commenting upon the modern Japanese consumer society and the deceitful brilliance of stardom.
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